Très Riches Heures, Limbourg brothers 1412 AD

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Très Riches Heures, Limbourg brothers 1412 AD

99.99

Très Riches Heures

Authors: Limbourg Brothers

Date: 1412-1416 AD

Page: # 112

Price: $99.99

Description:

The Très Riches Heures du Duc de Berry or Très Riches Heures, is the most famous and possibly the best surviving example of French Gothic manuscript illumination, showing the late International Gothic phase of the style. It is a book of hours: a collection of prayers to be said at the canonical hours. It was created between c. 1412 and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthélemy d'Eyck. In 1485–1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy. Acquired by the Duc d'Aumale in 1856, the book is now MS 65 in the Musée Condé, Chantilly, France.

Consisting of a total of 112 pages of very fine quality parchment, 30 cm (12 in) in height by 21.5 cm (8 1⁄2 in) in width, the manuscript contains 66 large miniatures and 65 small. The design of the book, which is long and complex, has undergone many changes and reversals. Many artists contributed to its miniatures, calligraphy, initials, and marginal decorations, but determining their precise number and identity remains a matter of debate. Painted largely by artists from the Low Countries, often using rare and costly pigments and gold, and with an unusually large number of illustrations, the book is one of the most lavish late medieval illuminated manuscripts.

Reproduction Details: 

The hardcover books are made with two pieces of real wood on the inside. The leather is a 4 oz cowhide, from a small supplier in New York state. The Glue we use to attach the leather to the wood is made at our facility, and is a period correct wheat glue. Along the spine, we use a modern perfect binding, with modern glue, to make the binding last longer. Then we each signature is sewn into the book block.  We also add three layers of mull cloth to the outside of the perfect binding, drying in between each layer, a traditional way to make the binding stiff, strong, and resilient.

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